De la experiencia autogestionaria producto de la crisis argentina del 2001/02 la información se ha ido deshilachando, como sucede en general después de momentos cruciales que hegemonizan la atención. Hubo una importante cantidad de fábricas recuperadas por los obreros. <br>
En el ámbito cultural el fenómeno más interesante fue el de Eloísa Cartonera, una editorial artesanal de la que el escritor Washington Cucurto es uno de sus promotores. En Montevideo existe La propia cartonera, como proyecto similar.<br>
Son ediciones hechas a partir del reciclaje de cartones y materiales de descarte, con un tipo de diseño personalizado y en las que hay tanto nuevos escritores como consagrados. Por ejemplo, Ricardo Piglia, César Aira, Dani Umpi. Todos ceden sus derechos para este proyecto cooperativo. Su sede es en el barrio de La Boca, donde hacen además cursos y encuentros. Tienen un catálogo de más de 100 títulos.<br>
<br><div class="gmail_quote">2012/3/7 Ana Valdés <span dir="ltr"><<a href="mailto:agora158@gmail.com">agora158@gmail.com</a>></span><br><blockquote class="gmail_quote" style="border-left:1px solid rgb(204,204,204);margin:0pt 0pt 0pt 0.8ex;padding-left:1ex">
Thanks Ethel for sharing it, very interesting! By the way the new forms of grassroots fundraising are very imaginative and I think they are changing the ways Art and other forms of cultural production are working. Instead of relying in states we rely on our own networks.<br>
An autogestionated culture?<br>Ana<br><br><div class="gmail_quote"><div class="im">On Wed, Mar 7, 2012 at 10:02 AM, Ethel Baraona Pohl <span dir="ltr"><<a href="mailto:ethel.baraona@gmail.com" target="_blank">ethel.baraona@gmail.com</a>></span> wrote:<br>
</div><blockquote class="gmail_quote" style="border-left:1px solid rgb(204,204,204);margin:0pt 0pt 0pt 0.8ex;padding-left:1ex"><div class="im">Just sharing a project that may be related to all that Pablo has explained about Fukushima:<div>
<a href="http://www.indiegogo.com/WEAREALLRADIOACTIVE" target="_blank">http://www.indiegogo.com/WEAREALLRADIOACTIVE</a></div>
<div><br></div><div>
<span style="text-align:left"><font face="arial, helvetica, sans-serif"><b>We Are All Radioactive</b> is an innovative experiment in online filmmaking that integrates storytelling, fundraising, and awareness-raising. I'm thinking on how this communication tools can be (or not) helpful to get people aware of the situation and create new resistance/resilient/recalcitrant/reclaiming movements.</font></span></div>
<div><span style="text-align:left"><font face="arial, helvetica, sans-serif"><br></font></span></div><div><span style="text-align:left"><font face="arial, helvetica, sans-serif">Any thoughts?</font></span></div>
<div><span style="text-align:left"><font face="arial, helvetica, sans-serif"><br></font></span></div><div><span style="text-align:left"><font face="arial, helvetica, sans-serif">Ethel</font></span></div>
</div><div><div class="im">---<br>Ethel Baraona Pohl | <a href="http://www.dpr-barcelona.com/" target="_blank">dpr-barcelona</a><br></div>twitter <a href="https://twitter.com/ethel_baraona" target="_blank">@ethel_baraona</a><span style="margin:0px 0px 0px 1px;padding:2px 3px 1px;background-color:rgb(255,245,51);color:rgb(51,51,51);font-family:arial;font-style:normal;font-variant:normal;font-size:11px;line-height:11px;font-size-adjust:none;font-stretch:normal;font-weight:bold;text-align:center;display:inline;text-shadow:none">47</span> | <a href="http://about.me/ethel_baraona" target="_blank">about.me</a><div>
<div></div><div class="h5"><br>
<a href="mailto:ethel.baraona@gmail.com" target="_blank">ethel.baraona@gmail.com</a><br><a href="tel:%28%2B34%29%20626%20048%20684" value="+34626048684" target="_blank">(+34) 626 048 684</a><br><br><i style="color:rgb(102,102,102)">Before you print think about the environment</i></div>
</div><div>
<div><br>
<br><br><div class="gmail_quote"><div><div></div><div class="h5">On Wed, Mar 7, 2012 at 4:30 AM, Ana Valdés <span dir="ltr"><<a href="mailto:agora158@gmail.com" target="_blank">agora158@gmail.com</a>></span> wrote:<br>
</div></div><blockquote class="gmail_quote" style="border-left:1px solid rgb(204,204,204);margin:0pt 0pt 0pt 0.8ex;padding-left:1ex"><div><div></div><div class="h5">
Pablo, great map, thanks for sharing it! And I think it should be great if you wrote something about your book and your project Situation Room, a really collective book :) with my foreword and edited by Ethel's publishing house DPR!<br>
It was a book preceding your stay in Japan and your work with the nuclear...<br>Ana<br><br></div></div><div class="gmail_quote"><div><div></div><div class="h5"><div><div>On Wed, Mar 7, 2012 at 3:38 AM, Pablo de Soto <span dir="ltr"><<a href="mailto:pablodesoto@gmail.com" target="_blank">pablodesoto@gmail.com</a>></span> wrote:<br>
</div></div></div></div><blockquote class="gmail_quote" style="border-left:1px solid rgb(204,204,204);margin:0pt 0pt 0pt 0.8ex;padding-left:1ex"><div><div></div><div class="h5"><div><div>hola Ricardo et all<br><br>last year we did an of incomplete map of student actions in Europe:<br>
<br><a href="http://hackitectura.net/blog/wp-content/uploads/2011/03/B-side.jpg" target="_blank">http://hackitectura.net/blog/wp-content/uploads/2011/03/B-side.jpg</a><br>
<br>the idea was to visualize the highlighs and most creative students actions from book block to the temporary squatting of very iconic monuments<br><br>we did not have time (it was a 3 days workhop) or the enough network capacity to make the global map, including the very intense squatting actions in America all along from California to Chile<br>
<br>best<br><br>pablo<br><br><br><br></div></div></div></div><div class="gmail_quote"><div><div></div><div class="h5"><div><div>El 6 de marzo de 2012 15:24, rrdominguez2 <span dir="ltr"><<a href="mailto:rrdominguez@ucsd.edu" target="_blank">rrdominguez@ucsd.edu</a>></span> escribió:</div>
</div></div></div><div>
<div><br><blockquote class="gmail_quote" style="border-left:1px solid rgb(204,204,204);margin:0pt 0pt 0pt 0.8ex;padding-left:1ex">
<div bgcolor="#FFFFFF" text="#000000"><div><div></div><div class="h5"><div><div>
Hola all,<br>
<br>
While I can appreciate the exit culture of performing recalcitrance,
which at least for me recalls
Herman Melville's <font size="-1"></font> <small>"<font color="#0b074f"><font size="+1"><small>Bartleby, the Scrivener:
A Story of Wall-street</small></font></font>"</small> with
his mantra of
"I would prefer not to" - the
urban capabilities that enable those who are less powerful to
reroute around the recalcitrance of those in power to change or
delete themselves - is connected to another "R" word (we seem to be
enjoying the impulse of alliteration): reclaiming. Performing
reclamation of spaces that dislocate and add to the entanglements of
"recalcitrance", "resilience", "resistance" has been an important
trajectory for recoding the flows between the country side and the
urbanscape - specifically for me the gestures of the Zapatistas,
since 1994, to reclaim land and the city as an intercontinental
process. In fact they enact the reclaiming the planet as a whole. <br>
<br>
Here at UCSD students, labor, and faculty have been performing the
reclamation of spaces that the UC system says it can no longer
afford - libraries and student study areas in the last couple of
years. At this moment the UCSD Chancellor space has been reclaimed
as well. As a study area for students. By reclaiming space, and time
(study-time), as not being an "occupation" shifted the response by
the UCSD police and the Administration. To what degree then can
urban capabilities function as sites for reclaiming what has been
condemned into less than ruins by the violence of financial weapon
for the Forth World War (as the Zapatistas like to say) by not only
staying in the city - but reaching out beyond its walls of the smart
city to the even smarter site of country where "recalcitrance",
"resilience", "resistance" has been developing as well and perhaps
even longer - as networks to reclaim the ruins of system yet to be
built.<br>
<br>
<a href="http://narcosphere.narconews.com/notebook/jessica-davies/2010/02/zapatistas-reclaim-mother-earth" target="_blank">http://narcosphere.narconews.com/notebook/jessica-davies/2010/02/zapatistas-reclaim-mother-earth</a><br>
<br>
<a href="http://reclaimucsd.wordpress.com/2012/03/03/statement-of-intentions/" target="_blank">http://reclaimucsd.wordpress.com/2012/03/03/statement-of-intentions/</a><br>
<br>
Thousands of students and activists marched on the state Capitol on
Monday<br>
<a href="http://www.latimes.com/news/local/la-me-protest-20120306,0,718441.story" target="_blank">http://www.latimes.com/news/local/la-me-protest-20120306,0,718441.story</a><br>
<br>
My very best to all,<br>
Ricardo Domingue<br>
<a href="http://bang.calit2.net" target="_blank">http://bang.calit2.net</a><br>
<br>
<br>
<br>
<br>
<br>
<br>
On 3/5/12 9:07 PM, Ana Valdés wrote:
</div></div></div></div><blockquote type="cite"><div><div></div><div class="h5"><div><div>
There are many of you who named Olav Westphalen and his research
at Mejan, Kungliga Högskolan i Stockholm, the Royal Academy for
Fine Arts, here comes the invitation for a seminar about it. A
pity I am not in Stockholm now.<br>
<br>
Ana<br>
<br>
<br>
<p>Welcome to <b>Performing Recalcitrance,</b> a week-long public
programme taking place at Kungl. Konsthögskolan | Royal
Institute of
Art in Stockholm between March 24 and March 30, 2012.</p>
<p><b>Performing Recalcitrance</b> comprises performances,
lectures and
workshops. It serves as the public culmination of a thematic
cluster of
courses and academic events around recalcitrance, which are
being held
throughout the academic year at Kungl. Konsthögskolan | Royal
Institute of Art. But it is also its own symposium, festival and
meeting
point for discussion.</p>
<p>While "resistance" and "revolt" are commonly employed as
positive
terms, "recalcitrance" has overwhelmingly negative connotations.
The
current definition of the word "recalcitrance" dates back to the
17<sup>th</sup> century (Fr. <i>récalcitrant</i>, lit. "kicking
back," 17c.-18c.). It defines a stubborn, obstinate, at times
even
passive-aggressive or lazy attitude. Nevertheless, it seems to
be an
appropriate description of the nature of certain current social
and
political confrontations. This programme explores the role of
obstinate
refusal in contemporary art and society, including the academic
setting. It
asks whether, under certain circumstances, recalcitrance could
be a
meaningful attitude and whether the performance of recalcitrance
can be a
useful artistic and social tool.</p>
<p><b>Performing Recalcitrance</b> highlights a range of artistic
practices through works produced for the programme as well as in
talks and
workshops. The members of the Berlin-based artist's group <b>Maiden
Monsters</b> decide to withdraw from any protest movement and
stay in bed.
They invite us to a private encounter with art history and the
women's
rights movements, but only after having undergone an initiation
ritual.
Israeli artist <b>Omer Krieger</b> of Public Movement stages a
collective
performance, scrutinizing codes of conduct, legislative texts
and the
aesthetics of protest movements in the Swedish context. <b>Klas
Eriksson</b> sets up a temporary, unauthorized McDonald's
branch on the
museum island Skeppsholmen in Central Stockholm, turning the
logic of the
standardized and optimized production line inside out. <b>Michael
Smith</b>
will speak about his role as an American recalcitrant within
mainstream
popular culture, such as sit-coms and commercial films over the
last three
decades. Filmmaker <b>Eyal Sivan</b> will show a selection of
his films and
comment on his work, a critique of nationalism and the politics
of memory.
<b>Khaled Hourani</b>, artist and founder of the art academy in
Ramallah,
will speak about his project "Picasso in Palestine", which
brought a
"Modernist masterpiece" to Palestine for the first time. <b>Valeria
Graziano</b> discusses the role of procrastination in a
culture of
entrepreneurship, constantly inducing us to produce value. <b>Geert
Lovink</b> will focus on the role of recalcitrance in online
media and
speak about debate and anonymity on the net. <b>Donatella
Bernardi's
students</b> will run TV Mejan, a continuous, fully
operational web TV
studio, while <b>Mårten Spångberg</b> and <b>Olav
Westphalen</b> will organize "Non Talk Radio," an intense, 24
hours-a-day,
sleepover workshop producing live-radio programs, which cannot
be talk
radio; no journalism, no documentary, no filling time with
knowledge (real
or presumed). A number of further workshops, performances,
lectures,
a book launch, film screenings and a final panel discussion will
round off
the programme.</p>
<p><b>Performing Recalcitrance</b> has been conceptualized and
programmed
by Olav Westphalen and Stefanie Hessler. The public programme
has been
organized by Kungl. Konsthögskolan | Royal Institute of Art in
collaboration with the Goethe-Institut Stockholm, Iaspis, Index
– The
Swedish Contemporary Art Foundation, Konst-ig, Kulturhuset,
Moderna Museet
and DOCH, the University of Dance and Circus in Stockholm. </p>
<p>We look forward to an intensive week and invite you to
participate in
<b>Performing Recalcitrance</b>.</p>
<p>The programme is available here: <br>
<a href="http://interspire.e-flux.com/link.php?M=20548&N=2110&L=4195&F=H" target="_blank">www.kkh.se/index.php/sv/undervisning/performing-recalcitrance/1268</a></p>
<br clear="all">
<br>
-- <br>
</div></div></div></div><a href="http://www.twitter.com/caravia158" target="_blank">http://www.twitter.com/caravia158</a><span style="margin:0px 0px 0px 1px;padding:2px 3px 1px;background-color:rgb(255,245,51);color:rgb(51,51,51);font-family:arial;font-style:normal;font-variant:normal;font-size:11px;line-height:11px;font-size-adjust:none;font-stretch:normal;font-weight:bold;text-align:center;display:inline;text-shadow:none">59</span><span style="margin:0px 0px 0px 1px;padding:2px 3px 1px;background-color:rgb(255,245,51);color:rgb(51,51,51);font-family:arial;font-style:normal;font-variant:normal;font-size:11px;line-height:11px;font-size-adjust:none;font-stretch:normal;font-weight:bold;text-align:center;display:inline;text-shadow:none">59</span><span style="margin:0px 0px 0px 1px;padding:2px 3px 1px;background-color:rgb(255,245,51);color:rgb(51,51,51);font-family:arial;font-style:normal;font-variant:normal;font-size:11px;line-height:11px;font-size-adjust:none;font-stretch:normal;font-weight:bold;text-align:center;display:inline;text-shadow:none">59</span><div>
<div></div><div class="h5"><div>
<div><br>
<a href="http://www.scoop.it/t/art-and-activism/" target="_blank">http://www.scoop.it/t/art-and-activism/</a><br>
<a href="http://www.scoop.it/t/food-history-and-trivia" target="_blank">http://www.scoop.it/t/food-history-and-trivia</a><br>
<a href="http://www.scoop.it/t/gender-issues/" target="_blank">http://www.scoop.it/t/gender-issues/</a><br>
<a href="http://www.scoop.it/t/literary-exiles/" target="_blank">http://www.scoop.it/t/literary-exiles/</a><br>
<a href="http://www.scoop.it/t/museums-and-ethics/" target="_blank">http://www.scoop.it/t/museums-and-ethics/</a><br>
<a href="http://www.scoop.it/t/urbanism-3-0" target="_blank">http://www.scoop.it/t/urbanism-3-0</a><br>
<a href="http://www.scoop.it/t/postcolonial-mind/" target="_blank">http://www.scoop.it/t/postcolonial-mind/</a><br>
<br>
mobil/cell <a href="tel:%2B4670-3213370" value="+46703213370" target="_blank">+4670-3213370</a><br>
<br>
<br>
"When once you have tasted flight, you will forever walk the earth
with your eyes turned skyward, for there you have been and there
you will always long to return. <br>
— Leonardo da Vinci<br>
<br>
<fieldset></fieldset>
<br>
<pre>_______________________________________________
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</div></div></div></div></blockquote>
<br>
</div><div><div></div><div class="h5"><div><div>
<br>_______________________________________________<br>
empyre forum<br>
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<a href="http://www.subtle.net/empyre" target="_blank">http://www.subtle.net/empyre</a><br></div></div></div></div></blockquote></div></div></div><div><div></div><div class="h5"><div><div><span><font color="#888888"><br>
<br clear="all"><br>-- <br><i><font>Acompañando las acciones del movimiento antinuclear en Japón, Occupy Tokyo y escribiendo sobre la <a href="http://www.scoop.it/t/cartas-desde-fukushima" target="_blank">respuesta social y cultural a la catástrofe nuclear</a>.<span lang="en"><span> <br>
</span><span>Accompanying</span> <span>the actions of</span> <span>anti-nuclear movement</span> <span>in Japan,</span> </span><span lang="en"> <span>Occupy </span></span><span lang="en"><span>Tokyo</span><span></span> <span>and writing about</span> <a href="http://goog_107689284" target="_blank"><span>social</span> <span>and cultural</span> <span>response</span> <span>to</span> </a><span><a href="http://www.scoop.it/t/cartas-desde-fukushima" target="_blank">nuclear ongoing nuclear crisis</a>.</span></span></font></i><br>
<br>¡Democracia Real Ya y fin de las nucleares!<br>Pablo de Soto<br><br><br>
</font></span><br>_______________________________________________<br>
empyre forum<br>
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<a href="http://www.subtle.net/empyre" target="_blank">http://www.subtle.net/empyre</a><br></div></div></div></div></blockquote></div><div><div></div><div class="h5"><div><div><br><br clear="all"><br>-- <br><a href="http://www.twitter.com/caravia158" target="_blank">http://www.twitter.com/caravia158</a><span style="margin:0px 0px 0px 1px;padding:2px 3px 1px;background-color:rgb(255,245,51);color:rgb(51,51,51);font-family:arial;font-style:normal;font-variant:normal;font-size:11px;line-height:11px;font-size-adjust:none;font-stretch:normal;font-weight:bold;text-align:center;display:inline;text-shadow:none">59</span><span style="margin:0px 0px 0px 1px;padding:2px 3px 1px;background-color:rgb(255,245,51);color:rgb(51,51,51);font-family:arial;font-style:normal;font-variant:normal;font-size:11px;line-height:11px;font-size-adjust:none;font-stretch:normal;font-weight:bold;text-align:center;display:inline;text-shadow:none">59</span><br>
<a href="http://www.scoop.it/t/art-and-activism/" target="_blank">http://www.scoop.it/t/art-and-activism/</a><br><a href="http://www.scoop.it/t/food-history-and-trivia" target="_blank">http://www.scoop.it/t/food-history-and-trivia</a><br>
<a href="http://www.scoop.it/t/gender-issues/" target="_blank">http://www.scoop.it/t/gender-issues/</a><br><a href="http://www.scoop.it/t/literary-exiles/" target="_blank">http://www.scoop.it/t/literary-exiles/</a><br><a href="http://www.scoop.it/t/museums-and-ethics/" target="_blank">http://www.scoop.it/t/museums-and-ethics/</a><br>
<a href="http://www.scoop.it/t/urbanism-3-0" target="_blank">http://www.scoop.it/t/urbanism-3-0</a><br><a href="http://www.scoop.it/t/postcolonial-mind/" target="_blank">http://www.scoop.it/t/postcolonial-mind/</a><br><br>
mobil/cell <a href="tel:%2B4670-3213370" value="+46703213370" target="_blank">+4670-3213370</a><br><br><br>"When once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been and there you will always long to return. <br>
— Leonardo da Vinci<br>
<div></div>
</div></div><br>_______________________________________________<br>
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<br>_______________________________________________<br>
empyre forum<br>
<a href="mailto:empyre@lists.cofa.unsw.edu.au" target="_blank">empyre@lists.cofa.unsw.edu.au</a><br>
<a href="http://www.subtle.net/empyre" target="_blank">http://www.subtle.net/empyre</a><br></div></div></blockquote></div><div><div></div><div class="h5"><br><br clear="all"><br>-- <br><a href="http://www.twitter.com/caravia158" target="_blank">http://www.twitter.com/caravia158</a><span style="margin:0px 0px 0px 1px;padding:2px 3px 1px;background-color:rgb(255,245,51);color:rgb(51,51,51);font-family:arial;font-style:normal;font-variant:normal;font-size:11px;line-height:11px;font-size-adjust:none;font-stretch:normal;font-weight:bold;text-align:center;display:inline;text-shadow:none">59</span><br>
<a href="http://www.scoop.it/t/art-and-activism/" target="_blank">http://www.scoop.it/t/art-and-activism/</a><br><a href="http://www.scoop.it/t/food-history-and-trivia" target="_blank">http://www.scoop.it/t/food-history-and-trivia</a><br>
<a href="http://www.scoop.it/t/gender-issues/" target="_blank">http://www.scoop.it/t/gender-issues/</a><br><a href="http://www.scoop.it/t/literary-exiles/" target="_blank">http://www.scoop.it/t/literary-exiles/</a><br><a href="http://www.scoop.it/t/museums-and-ethics/" target="_blank">http://www.scoop.it/t/museums-and-ethics/</a><br>
<a href="http://www.scoop.it/t/urbanism-3-0" target="_blank">http://www.scoop.it/t/urbanism-3-0</a><br><a href="http://www.scoop.it/t/postcolonial-mind/" target="_blank">http://www.scoop.it/t/postcolonial-mind/</a><br><br>
mobil/cell <a href="tel:%2B4670-3213370" value="+46703213370" target="_blank">+4670-3213370</a><br><br><br>"When once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been and there you will always long to return. <br>
— Leonardo da Vinci<br>
<div></div>
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